Category Archives: Tarkovsky

Partials and Hum Notes: Boyle’s Great Bell Said It All.

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There’s a scene, perhaps one of the greatest in cinema history, in Tarkovsky’s André Rublev in which molten metal pours down the hillside in rivulets towards the mould of a giant bell buried beneath the ground. The blood and sweat of the foundry workers is rewarded when the residue is chipped away to reveal an […]